She was prim and correct as a rising star—posing on pink carpets in puff-sleeved floral frocks and presidential pant fits, Chanel tweeds and Ralph Lauren slips—however quick ahead 4 years and Edgar-Jones is utilizing the promotional tour for Twisters as a launchpad into Hollywood’s It-girl canon. She’s worn corseted Vivienne Westwood robes—a ceremony of passage for any English rose-turned-Hollywood bombshell—nipple-embellished Schiaparelli minidresses, backless Gucci column robes and diaphanous, drop-waisted 16Arlington attire. Tasteful, polished, elegant… however cool.
Gotham
Styled by Dani Michelle—the invisible hand behind Rosie-Huntington Whiteley’s, Hailey Bieber’s, and Kendall Jenner’s wardrobes—a lot of this transformation is all the way down to Daisy Edgar-Jones’s relationship with Chemena Kamali’s Chloé.
She was earlier this week photographed in so-wrong-they’re-right kitten clogs and an outsized hobo bag that dominated no less than half of the actor’s 5ft7” body. And then there was yesterday’s look—a boho-ruffled maxi gown with thigh-high boots and a banana-charm pendant necklace—that Edgar Jones wore whereas on a espresso run in New York. “It’s very a lot about an intuitive means of dressing,” Kamali herself said of the Chloé lady in 2024. “I feel there’s this eager for undone-ness and freedom and softness and motion.”
This article first appeared on British Vogue.
