“Stop all of the clocks, minimize off the phone / Prevent the canine from barking with a juicy bone / Silence the pianos and with muffled drum / Bring out the coffin, let the mourners come.”
These traces kind the opening stanza to WH Auden’s 1936 poem Funeral Blues—an expression of knee-buckling grief and despair upon the lack of a beloved—however might simply as feasibly be utilized to Hailey Bieber’s whole absence from Getty Images over the previous couple of weeks. (The mogul is on maternity go away after welcoming her firstborn and has not appeared in public since July 31.) Perhaps that’s the reason Kendall Jenner has taken it upon herself to decorate within the exact picture of her finest pal.
The mannequin was photographed exiting Alaïa’s spring/summer time 2025 present in New York in a crop prime and an outsized leather-based blazer from The Row with tailor-made shorts and an Hermès So Kelly bag. This is just about Bieber’s off-duty template: a form of fledgling tomboy which may have performed the anti-hero in a ’90s coming-of-age film. It’s no-fuss and it’s approachable and it’s the visible equal of Rhode’s so-simple-it-pains tag line: “One of every little thing actually good.”
There was a sure back-to-school-ness concerning the look—white-socked loafers will try this to an individual—that would in any other case be mapped throughout a number of of Jenner’s current appearances. Buttoned-up clothes for the US Open; skirt fits for a night at Cipriani and Zero Bond in Manhattan; and an Olsens-made double denim set for a daytime stroll with an Hermès Kelly so pristine that it regarded like a briefcase. These outfits are, for apparent causes, a sea change from the string bikinis and crochet columns that Kendall Jenner was importing to Instagram simply final month. The caption might learn: “Get your f****** ass up and work, it looks like no one desires to work nowadays”.
This article first appeared on British Vogue.
