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Tracking stolen artwork with an app | 60 Minutes

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Tracking stolen artwork with an app


Tracking stolen artwork with an app

03:23

Whether it’s antiques looted in struggle, work stolen from museums, or gadgets thieved from archaeological websites, 1000’s of artifacts disappear around the globe annually. According to UNESCO, the following trafficking of this stolen cultural property is not simply unlawful; it additionally strengthens organized crime and helps finance terrorism. Now Interpol has made it simpler for everybody to assist cease it — and to guard themselves from shopping for stolen art work. 

Interpol, the worldwide police group that collects and shares data with regulation enforcement companies around the globe, has created an app known as ID-Art. It is a database of stolen art work that makes use of picture recognition software program. The aim is to establish and doc stolen art work and cultural artifacts and improve the probability they are going to be recovered. 

So far, there are greater than 52,000 stolen objects within the database. 

Anyone can obtain the app on their sensible system. Once added, customers can search manually, trying up such data as artist, object sort, or nation of origin. They also can take a photograph; picture recognition software program then searches the database to see if there’s a match. That means, if a gallery or particular person purchaser is contemplating buying a murals, they’ll rapidly decide whether or not it has been labeled as stolen. 

The app will also be used to report an merchandise as stolen or to establish cultural websites as doubtlessly in danger. 

Cyril Gout, a forensic skilled from the French nationwide police, oversees Interpol’s 19 large databases of crime, together with stolen artwork. He encourages individuals to obtain ID-Art and assist discover a number of the 1000’s of lacking artworks around the globe.

“You are doing your self good and the group, as nicely,” he stated.

The video above was initially revealed on January 28, 2024. It was produced by Brit McCandless Farmer and edited by Sarah Shafer Prediger and Joe Schanzer.  



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